Typographic Character Forms 13


Aarrgh maties! I’m here in Virginia Beach, Virginia. I always see a lot of pirate stuff at the beach. No matter which beach you go to, you are bound to find a good selection of pirate stuff. Anyway, todays design kind of reminds me of a pirate. I wasn’t intending it that way but by the time I finished I stood back and said “Arrgh!”

typographic character forms 13

I will let you all guess what character’s I used. But the total image gives me the feeling of something or someone being mischievous. Squinting one eye perhaps, sort of like a pirate. The color motif is nothing specifically inspired. I am just trying to use different color palettes each day and keeping them simple.

See you all tomorrow!
Sean

Typographic Character Forms 12


Well Garamond is initially proving a bit difficult for me. I see Garamond as a formal typeface so it has been difficult for me to arrange the character forms of this typeface to create an abstract design, or any design. Both this design and the TCF 11 took a little time for me to complete, but the experimentation is fun. I played around with several different characters yesterday evening and finally I settled on this arrangement.

typographic character forms 12

I don’t have much to say about it. I chose some bright, fun colors. Perhaps I am thinking of the beach. That’s were I am headed today. I will be on the road this weekend but have prepped some ideas and will be updating from Virginia Beach. So, stay tuned and check back daily.

I also want to thank everyone for their comments, both here and on Facebook. It really helps to hear what you think whether you like a design or not. So, thank you for participating.

See you again tomorrow from sunny, humid, Virginia Beach, VA!
Sean

Typographic Character Forms 11


Hello everybody, I would like you to meet Garamond, a popular old-style serif typeface. The story of Garamond begins in 16th century Europe with a type designer named Claude Garamond. Garamond (the man) was commissioned by the French king Francis I to create a typeface for a series of books by Robert Estienne. When Claude Garamond passed in 1561 his type punches and matrices were sold off to the Plantin Press. This allowed Garamond’s fonts to flourish in printed materials throughout France and Europe.

The typeface we know and use today is altered and more asymmetrical than the original created by Garamond himself. These alterations first took place in the early 17th century by a French painter named Jean Jannon. Following a government raid of Jannon’s printing office, his version of the typeface soon became the house style of the Royal Printing Office and was called Caractère de’lUniversité. During the early 19th century, the French National Printing Office adapted the Jannon typeface, but labeled it the work of Claude Garamond.

Garamond (the typeface) experienced a revival in the 20th century. At the 1900 Paris World Fair Jean Jannon’s typeface was introduced as “Original Garamond.”  In 1919 the first 20th century redesign of the typeface was created by Thomas Maitland Cleland and Morris Fuller Benton, and was called Garamond #3. Throughout the 20th century modern versions of Garamond surfaced most notably with the onset of computers and desktop publishing. These versions are generally preceded in name for their creator or foundry – Adobe, Monotype, Simoncini and Stemple are common versions of Garamond. The typefaces called Granjon and Sabon are also considered Garamond revivals.

Notable usage of Garamond in recent decades can be seen in the original typsetting of the popular Dr. Suess children’s books, most of the Harry Potter series books, Nvidia, Inc.’s spec sheet documentation, Adobe Systems branding during the 1990’s, and Apple Computer’s Macintosh branding from 1984 through 2001.

typographic character forms 11

Todays design is done using Adobe Garamond Regular. I chose the lowercase ‘g,’ the numerical character ‘3’ and the pound sign (#) to represent Garamond #3 (g#3). About the color scheme, browns are not really my favorite colors but I chose to use them more or less to face my fears and work with something that I am not comfortable with. Since I was so long winded on the history of the typeface I will just leave you with that for today.

See you all tomorrow!
Sean

Typographic Character Forms 10


Today is the last day for the typeface Clarendon. Hope you have enjoyed it. I certainly have. I feel the inclusion of color on this go around has helped me to play with the character shapes on a whole new level. I would like to move on with TCF submissions until the end of April experimenting with two more type styles. We have seen my favorite San Serif typeface, Helvetica. And Clarendon is my favorite slab serif typeface. My next 2 typefaces will be my favorite Serif face and a script face, which I can’t say I have a favorite but I have a couple in mind.

typographic character forms 10

happy belated tax day!

This design may have been better suited for last Thursday, Tax Day. The character choices are fairly obvious an upper case ‘X’ rotated on it’s side, a zero rotated approximately 50 degrees and a dollar sign ($). I was intrigued by the negative space inside the top and bottom of the ‘X’ and how they seemed to create arrows pointing up and down. When rotated 90 degrees, the arrows point inward from the left and right sides. After considering what they might be pointing at I felt a circular shape would fit, and balance nicely. So I chose the zero as my numerical character, leaving me with one more character choice – the dollar sign ($). Is this design hitting home for anyone?

Happy belated tax day everyone.
See you all tomorrow!
Sean

Typographic Character Forms 9


Like yesterday’s post I switched out the characters again. I will also have you guess which 3 I chose (still not too difficult). Like the past few I am still using the typeface Clarendon Bold.

typographic character forms 9

This one is probably my favorite so far. I think I like it so much because it is more like a brand identity piece (logo) than any of the others. Brand identity is one of my favorite observations in the design world. I love looking at company logos. I have a genuine appreciation for how a well designed logo makes us immediately relate to a company’s product, service and identity in the marketplace. I am spending a considerable amount of time on the TCF designs for several reasons, but this image reminds me that one of those reasons is to become a better logo and identity designer. This piece is confirming to me that the daily design challenge is starting to get me back on the right track.

Color inspiration, again, comes from the spring season. This time the greens are more dominant and varied like the leaves of trees that turn from the bright green of new growth to more mature and perhaps darker shades. A pop of yellow color is added. It’s like a dandelion poking through a rich green lawn. The shapes of the characters as they merge together also give me the feeling of a stem and leaf. If this were a brand identity it might be a garden shop, landscaping company or perhaps any other company that is just “going green” somehow.

Hope you enjoy! See you all tomorrow.
Sean

Typographic Character Forms 8


In the interest of variety I decided to switch out the three characters. I had Colleen look at the entire typeface and had her tell me which 3 to use. I will let you guess which character’s she chose. Not too difficult this time but in the future I may have you guess again and it might not be so simple.

typographic character forms 8

I chose the color scheme because they are Colleen’s favorite colors. Shades of orange. Hope you all enjoy the design as well as guessing the 3 characters.

See you tomorrow!
Sean

Typographic Character Forms 7


Today I am using the same characters from Typographic Character Forms (TCF) 6. On Tuesday I set the characters further apart so everyone could see the shape of each one. Today I am drawing them in tightly on one another. This arrangement gives me a feeling of a sculpture. Or, perhaps a creature like an octopus balled up on the ocean floor with some of it’s curling tentacles visible. I like how the tight arrangement accentuates the negative space of each character. The openings of each character are more prominent in this arrangement. The negative spaces surrounding and within a character are important in the identity and style of a typeface. Really, that is what the TCF exercises are all about – exploring the shape of the characters, both inside and out.

typographic character forms 7

Finally, the color inspiration is a bit past its peak. When I think of this color combo it takes me to the earliest part of spring where daffodils and forsythia are prominent. We have reached the end of that cycle here in the mid-atlantic region, but I wanted to squeeze the color combo in at the last minute.

Let me know what you think! See you all tomorrow!
Sean